Goa, India · Living heart first

VrujenAndhare

Many lives. One heartbeat.

Scroll to meet them
01 / The person

I contain
multitudes.

I’m a multidisciplinary artist working across music, performance, poetry and curation. Rooted in Hindustani classical music and shaped by movement, travel and queer expression, my work makes room for connection and transformation.

Sometimes with a sitar. Sometimes as Sexwax. Often while bringing people together through A Rainbow Collective.

Vrujen in a dark green suit and floral shirtSexwax playing the sitar in a feathered headpiece and veil
Somewhere between versions of myself. Drag to meet Sexwax.
Where it began

Before I knew who I would become

If you had met me as a child, you would probably have had no idea what I would grow up to be. To be fair, neither did I.

I grew up in Nagpur in a middle-class nuclear family, in a home where love often looked like a careful calculation of what mattered most. My parents might not have bought a fancy mixer for the house, but they would get me the new Faber-Castell pencils. They made sure I had comfortable, fashionable clothes, sometimes putting my wants ahead of their own. A nicer kurta, a new shirt, the things that made a child feel like himself. Looking back, I realise that while we weren’t surrounded by luxury, I grew up surrounded by a different kind of abundance: the freedom to explore, the encouragement to create, and the feeling that my little world mattered.

When I was one, my parents moved out of our joint family home with a mattress, a cupboard, and a few basic necessities. The three of us began building our own life, one decision at a time, with trust, faith, and an incredible amount of reliability in one another.

Even as a child, I was asked what I thought about decisions concerning our home and office. I grew up around adults, conversations, clients, and the everyday realities of running a business. I served tea to clients, caught naps across two chairs pushed together, and made PowerPoint presentations and Excel sheets long before either became a school assignment.

The office became my playground, and life became my classroom.

While my parents worked, they made sure I stayed busy. Candle-making, drawing, painting, magic tricks, karate, taekwondo, basketball, swimming, skating, sand painting, classical music, and so much more. I was constantly being introduced to something new. Nobody could have predicted what would stick, what would fade, or what would return to me years later in an entirely different form.

I certainly didn’t know.

But I am deeply grateful to those two people who gave me a childhood full of possibilities, and to the little boy in those photographs who went around trying things without needing to know what they would lead to. I still look at him for inspiration. He wasn’t worried about building a career, defining his identity, or figuring out what the world expected of him. He was simply curious about what it had to offer.

Somewhere along the way, growing up became about figuring out who I was supposed to be. Growing older has been about learning to become a little more like that child again.

From Nagpur to IISc, and everything in between

Curiosity eventually took me to the Indian Institute of Science in Bangalore, where I studied for four years on the DST INSPIRE scholarship, pursuing a Bachelor of Science (Research) in Earth and Environmental Sciences.

At university, my curiosity found a new direction. I became interested in ecology and the intricate relationships that shape the natural world. My final-year research project focused on avian malaria, giving me an opportunity to look closely at the connections between organisms and their environments.

For a while, I considered pursuing a master’s degree in cognitive science. It felt like a natural extension of my desire to understand things, whether ecosystems or the human mind.

But instead of immediately following the next predictable step, I took a sabbatical.

I travelled. I explored. I gave myself permission not to have everything figured out.

During this time, I went to Delhi, took up digital marketing work, and began building a professional life that looked quite different from the one I had imagined at university. I handled social media and digital accounts for textile and hospitality brands, learned how businesses communicate, and discovered how storytelling could connect people with ideas, products, and experiences.

I also worked with a drama company for children and with CCAW, an organisation working with autistic children. These experiences brought me into different worlds and helped me understand the many ways people learn, express themselves, and experience the world around them.

Looking back, my life has rarely followed a straight line. Science led me towards questions about the natural world. Music taught me to listen. Digital marketing introduced me to communication and strategy. Working with children brought me closer to play, imagination, and different ways of seeing.

I didn’t know it at the time, but I was collecting tools for a life that would eventually bring all these interests together.

02 / Sitar & sound

Listen
closely.

Vrujen with a sitar outdoors

Old roots.
New frequencies.

Music had been part of my life since I was eight, when I began learning Hindustani classical music under Shri Datta Khadnavis, in the Bhatkhande gharana tradition.

After university, I returned to this part of myself more intentionally and began learning the sitar. What started as a musical pursuit became something much larger: a practice of patience, discipline, listening, and allowing things to unfold in their own time.

Today, music is one of the ways I understand myself. I explore the meeting point between Hindustani classical ragas, contemporary sounds, and poetry, creating performances that draw from tradition while leaving room for experimentation.

On the record · Lost Bhairavi

Open the album on Spotify

LIVE SITAR SET
Classical and contemporary music, often with poetry.

DRAG SITAR
Music, movement and theatre as Sexwax.

03 / Another frequency

Sexwax.

Close portrait of Vrujen's drag persona Sexwax

Some stories need
a louder body.

And then there is Sexwax, my drag persona.
Drag gives me the freedom to play with identity, gender, femininity, humour, and spectacle. It allows me to take familiar ideas about masculinity and turn them around, sometimes with tenderness, sometimes with a little chaos, and often with a healthy dose of glitter.
Sitarist, poet, performer, drag artist. These might look like separate identities on paper, but to me, they are different expressions of the same instinct: to experiment, to communicate, and to make room for all the versions of myself that might otherwise have been asked to choose just one.
Sexwax performing on stage
04 / The written

Words to
read.

Four poetry books. Tap a cover to see its back.

Writing gives me another way to make sense of things. Over the years, I have published poetry books including 21 Heartbeats, Dear Diary, Story of a Wave, and Dots and Dashes. My writing often returns to the intimate details of being human: love, memory, vulnerability, change, and all the things we struggle to say out loud.

Portrait of Vrujen with a surfboard
05 / Between tides

Let it flow.

Somewhere between the stage and the sea, the same instinct: follow the feeling and see where it goes.

Eventually, the road brought me to Goa.

I moved here for surfing, drawn to the ocean and the possibility of living a little differently. Surfing has taught me things that no classroom could. You can study the conditions, learn the technique, and prepare yourself, but you cannot control the wave. You have to pay attention, trust your body, accept that you will fall, and find the courage to paddle back out.

There is something deeply human about that process.

06 / Space making

A Rainbow
Collective.

Art happens between people. I make room for that.

Artists and community at a Vrujen curated gathering
Community / together
01

Curated experiences

Intimate gatherings and immersive events across music, drag, storytelling and conversation.

02

ARC showcases

A platform for queer expression, collaboration and community.

03

Hosting

Connecting artists, audiences and ideas through shared moments.

04

Workshops

Spaces for creativity, reflection, expression and collective care.

A Rainbow Collective: making room for each other

Goa also gave me room to explore what I wanted my life and work to look like. I had spent years moving between different interests and industries, but I began to feel an increasing need to create something that brought people together in a more meaningful way.

I wanted to be part of a culture that wasn’t only about showing up for a party and going home. I wanted spaces where art, music, performance, conversation, and community could exist together. Spaces where queer people could meet beyond the familiar nightlife script, where artists could experiment, and where connection was as important as entertainment.

That feeling became one of the starting points for A Rainbow Collective.

A Rainbow Collective began with a few friends and a shared sense that something was missing. We wanted to create queer experiences that were artist-oriented, community-led, and expansive enough to hold more than one kind of expression.

Since then, my work as a curator and creative organiser has taken many forms: drag nights, music gatherings, performances, workshops, intimate conversations, and community events. Every project has been an opportunity to bring people together and ask what a queer space could be if we built it with more intention.

Through ARC, I have been able to bring together so many parts of myself. The marketer who understands communication and audiences. The artist who wants to experiment. The performer who believes in the transformative power of a room full of people. The child who loved trying new things. And the person who wants everyone to feel that they have a place at the table.

I am interested in the spaces between disciplines and between people. What happens when art becomes a conversation? When a party becomes a community? When a room full of strangers begins to feel a little less strange?

For me, curation is not simply about putting together an event. It is about thinking carefully about the experience we create, who gets to participate, and what people might carry with them when they leave.

The work is imperfect and always evolving, but that is part of what makes it meaningful. Community is not something you declare into existence. It is something you build, nurture, and keep showing up for.

07 / Things that happened

On the
walls.

Past nights, newest first. Swipe or use the arrows. Tap one to open it.

The podcast

#thisisme

Stories of living Heart First

Quiet, honest conversations with artists, dreamers and makers about queerness, creativity, community, grief and joy. Listen on Spotify.

Listen on Spotify
Vrujen celebrating a Mr Gay India winMr Gay India · 2025
08 / Heart first

Take up
space.

“Creating spaces where people feel seen, connected and free.”

As Mr Gay India 2025, I carry the same belief beyond the stage: visibility can make room for someone else. The crown is one chapter in a much larger practice of art and community.

Vrujen at Mr Gay India
The story behind HeartFirst

The year that changed my relationship with life

In May 2025, at the age of 31, I had a heart attack.

It was a moment that forced me to reconsider my relationship with my body, my ambitions, and the time I assumed I had. Until then, life had largely been about exploring possibilities, building things, and finding the next experience to say yes to. Recovery asked something different of me. It asked me to slow down, to pay attention, and to recognise that looking after myself was not separate from the life I wanted to create.

I had to confront the fact that I could spend so much time building a life I loved that I might forget to take care of the person living it.

The experience didn’t suddenly give me all the answers. There were difficult days, uncertainty, and a different kind of patience to learn. But it made me look more closely at the choices I was making and the things I wanted to stand for.

I wanted to keep creating. I wanted to return to the ocean. I wanted to perform, write, travel, fall in love with ideas, build communities, and be present for the people who mattered to me. Most importantly, I wanted to pursue these things without treating my own well-being as an afterthought.

Out of this reflection grew a deeper commitment to something I now call #HeartFirst.

For me, HeartFirst is not about romanticising hardship or pretending that following your heart is always easy. It is about living in alignment with what matters to you while taking responsibility for your physical, mental, emotional, and spiritual well-being. It is about recognising that ambition and care can coexist, that vulnerability is not the opposite of strength, and that you do not have to wait for a life-altering moment to start paying attention to your life.

I began to see HeartFirst not just as a personal philosophy, but as something worth sharing.

From my own story to a larger conversation

In 2025, I participated in and won Mr Gay India.

It was a milestone that brought together so many seemingly different parts of my life: my experience as a queer person, my creative practice, my community work, and my commitment to living HeartFirst. It gave me a platform to speak about the things that had shaped me, while reminding me that representation carries a responsibility beyond the person standing on the stage.

As I prepare to represent India at Mr Gay World 2026, I carry my story with me, but I also carry the stories of the people and communities that have shaped it.

I want to represent an Indian queer identity that can hold contradictions without needing to resolve them. One that can be masculine and feminine, rooted and experimental, ambitious and vulnerable. One that can honour where it comes from while remaining open to what it might become.

For me, representation is not about presenting a perfect version of myself. It is about being honest enough to let people see the possibilities in a life that refuses to fit neatly into a single category.

If my journey can help someone else feel less pressure to choose between the different parts of themselves, or encourage them to take their own well-being a little more seriously, then the platform becomes meaningful.

The crown is a moment. The work, and the responsibility that comes with it, continue long after.

09 / My story

My
story.

The Many Lives of Vrujen Andhare

A boy from Nagpur, a thousand curiosities, and a life lived HeartFirst.

Still becoming

Today, I am a sitarist, poet, performer, drag artist, curator, surfer, and advocate. I have studied ecology, worked in marketing, collaborated with children, built queer community spaces, and found unexpected ways to bring my interests together.

But I don’t think of these labels as a complete description of who I am. They are simply the places I have been, the things I have learned, and the ways I have chosen to participate in the world.

I am still curious. Still experimenting. Still learning how to balance ambition with care, expression with listening, and the desire to build something meaningful with the need to enjoy the life I am living along the way.

Sometimes I think about that little boy from Nagpur, the one who had no idea what he would become. I imagine telling him about the places he would go, the people he would meet, the things he would create, and the person he would grow into.

I don’t think he would be particularly impressed by the titles.

I think he would want to know what else he could try.

And perhaps that is the thread that connects everything: the freedom to remain curious about who we are, the courage to change our minds, and the willingness to keep making room for the person we are becoming.

I began this journey without a map. I am still finding my way, one experiment, one poem, one performance, and one wave at a time.

This is my life, in all its many forms.
My practice is to live it HeartFirst.

10 / The next thing

Let's make
something
happen.

Live sets, Sexwax shows, workshops, hosting. Write to me and say what you have in mind.